EDUCATION
2019 PHD, Deakin University
1983 Bachelor of Fine Art, Victorian College of the Arts
SOLO EXHIBITIONS
2018 Black River Running, Anna Schwartz Gallery, Melb
2015 Sympathy for The Devil#1, Anna Schwartz Gallery, Melb
2013 Strange Days, Anna Schwartz Gallery, Melb
2011 Marshland, Anna Schwartz Gallery, Melb
2007 In the Pines, Anna Schwartz Gallery, Melb
2005 Listening to Music Played Backwards, Anna Schwartz Gallery Melb Artfair
2004 Jan Nelson & Liza May Post, Museum of Contemporary Art, Sydney
2003 Walking in Tall Grass, Anna Schwartz Gallery, Melbourne
2003 Walking in Tall Grass, Perth Institute of Contemporary Art, Perth
2000 Anticipating Transcendence, Visible Art Installation, Republic Tower, Melbourne
2000 On Days Like These, Robert Lindsay Gallery, Melbourne
1998 Studio Practice pt 1., Centre for Contemporary Photography, Melbourne
1998 Studio Practice pt 2., Robert Lindsay Gallery, Melbourne
1997 Studio Practice, Experimental Art Foundation, Adelaide
1996 31 Days, Paris: Cité Internationale des Arts, Paris, France
1995 Incident 1960, Robert Lindsay Gallery, Melbourne
1994 Mont Blanc 1969, Robert Lindsay Gallery, Melbourne
1994 Spill, Australian Centre for Contemporary Art, Melbourne
1991 The Long Century, Realities Gallery, Melbourne
1989 Untitled, Realities Gallery, Melbourne
1987 70 Arden Street, Melbourne
1986 Christine Abrahams Gallery, Melbourne
1984 Christine Abrahams Gallery, Melbourne
GROUP EXHIBITIONS
2024
'In House'. Anna Schwartz Gallery, Melbourne, Aus
2023.
'The Sitter': Portraits across the Collection, Bendigo Art Gallery, Victoria
Melbourne Now 2023, National Gallery of Victoria.
'Sport, Fun & Games' Kunsthalle Würth, Museum Würth, Kunzelsau, Germany 2021-2023.
2022 'Sport, Fun & Games' Kunsthalle Würth, Museum Würth, Kunzelsau, Germany 2021-2023.
‘Listening to Music Played Backwards: Recent Acquisitions, Heide, Museum of Contemporary Art. Melb
2021 'Sport, Fun & Games' Kunsthalle Würth, Museum Würth, Kunzelsau, Germany 2021-2023.
Know My Name: National Gallery of Australia
From the Ground Up, Connecting the World through Sculpture: Monash University Gallery
2021 Geelong Contemporary Art Prize: Geelong Art Gallery
2020 Know my Name, National Gallery of Australia
2019 Analogue Art in A Digital World, RMIT Gallery, RMIT University, Melb
The Doug Moran Portrait Prize, Numerous venues across Aus
Everyday Research, Deakin Gallery, Deakin University, Melb
Morning, Noon and Night, Selected works from the Cbus Collection of Aus Art, Latrobe Regional Gallery, Morwell, Victoria
Never the Same River, Melb International Festival, Anna Schwartz Gallery, Melbourne, Aus
2018 Hyper Real, National Gallery of Australia
Let’s Play: Art of Our Time, Bunji Place, City of Casey, Melbourne
Gold Award, Rockhampton Art Gallery, Rockhampton, Qld
The Public Body .01/.02/.03, Artspace, Sydney
Analogue Art in A Digital World, RMIT Gallery, RMIT University, Melb
Obsession: Devil in the Detail, Mornington Peninsula Regional Gallery, Victoria
2017 Hyper Real, National Gallery of Australia, Canberra
Let’s Play: Art of Our Time, Bunji Place, City of Casey, Melbourne
An Unorthodox Flow of Images, Centre for Contemporary Photography, Melbourne
Sugar Spin Goma Turns 10. QAGOMA. Queensland
Every Brilliant Eye: Australian Art of the 1990s’, Federation Square National Gallery of Victoria, Melbourne
‘9 X 5 NOW’, Margaret Lawrence Gallery, Victorian College of the Arts. Melbourne
Doug Moran Portrait Prize, Numerous venues across Aus
2016 Sugar Spin Goma Turns 10. QAGOMA. Queensland.
Painting More Painting, Australian Centre for Contemporary Art, Melbourne
Contemporary Women and Process, National Gallery of Australia. Canberra.
McClelland Collection, McClelland Sculpture Park+Gallery, Victoria.
The Doug Moran Painting Prize. NSW
2015 21st Century Heide. The Collection since 2000
2014 In the Flesh: National Portrait Gallery, Canberra
2013 Air Born & Nest: The Art of Birds, Mc Clelland Gallery, Langwarrin, Vic
Mix Tape 1980: Appropriation, Subculture, Critical Style, Nationa Gallery of Victoria
2012 Controversy Mornington Peninsula Regional Gallery, Vic
2011 Networks (cells&silos), Monash Uni Museum of Art, Melb.
Double vision, Mc Clelland Gallery, Langwarrin, Vic
2010 Outside In, McClelland Gallery, Langwarrin, Vic
2009 On the Line, Centre for Contemporary Photography, Melbourne
Arthur Guy Memorial Art Prize, Bendigo Art Gallery
2008 Optimism, Queensland Museum of Modern Art
50 years of the John McCaughey Memorial Prize. National Gallery Victoria
2006 Tainted Love, Bendigo Art Gallery, Victoria
The New Contemporary Collection Exhibition, Art Gallery Of NSW
Decade Acquisitions 1996 -2006, Bendigo Art Gallery, Victoria
Artists for Kids Culture, Annual Art Exhibition and Auction
2005 A Short Ride in a Fast Machine, Gertrude Contemporary Art Spaces1985 – 2005,
NGV Collection Recent Acquisitions, NGV Australia.
Exiles and Emigrants, NGV Australia.
2004 2004, The Ian Potter Centre: National Gallery of Victoria, Australia, with the Australian Centre for the Moving Image, Melbourne
Swoon, Australian Centre for Contemporary Art, Melbourne
Clouded Over: Lawrence Wilson Art Gallery, The University of WA Perth, WA
2003 See Here Now, Vizard Foundation Collection of the 1990s, Ian Potter Museum of Art, University of Melbourne
Bushfire: Our Community Responds, Ian Potter Centre: National Gallery of Victoria, Melbourne
2002 Iconografias Metropolitanas, XXV Bienal de São Paulo, Brasil
Geelong Contemporary Art Prize, Geelong Gallery
Australian & European Photography, Conny Dietzschold Gallery, Sydney
Fieldwork: Australian Contemporary Art 1968-2002, Ian Potter Centre: National Gallery of Victoria, Melbourne
Shhh! Art Gallery of Western Australia, Perth
Federation, A Celebration, Ian Potter Centre: National Gallery Victoria, Melbourne
2000 The Retrieved Object, Linden Arts Centre, Melbourne
Video Take, Contemporary Art Centre, Brussels, Belgium
1999 Leisure and Pleasure, Robert Lindsay Gallery, Melbourne
Word, Museum of Contemporary Art, Sydney
1998 ".... So Far ", Sync Grey Area Space, Melbourne
1997 The 1980's, National Gallery of Victoria, Melbourne
1996 South Face, a collaboration between Jan Nelson and Stephen Bush in Tangibility? Plimsoll Gallery, University of Tasmania, Hobart
Works on paper, Robert Lindsay Gallery, Melbourne
1001 Feminine Breaths: Dave Graney /Jan Nelson, for "Women We, Love" International Women’s Day, Epsom Rd, Ascot Vale, performance
1995 Perspecta 95, Art Gallery of New South Wales, Sydney
South Face, a collaboration between Jan Nelson and Stephen Bush, Canberra Contemporary Art Space
Decadence, 200 Gertrude Street, Fitzroy
Lovers, Museum of Modern Art at Heide, Melbourne
1994 The Aberrant Object, Women Dada and Surrealism, Museum of Modern Art at Heide, Melbourne
Artists Thinking about Science, Australian Network for Art & Technology, Melbourne, Sydney, Brisbane
Selections from the Monash University Collection, Monash University Gallery, Melbourne
1993 Confess and Conceal, Art Gallery of Western Australia, Perth; National Gallery of Art, Singapore; National Gallery of Bangkok, Thailand; National Gallery National Gallery of Art, Kuala Lumpur, Malaysia; Art Centre of Manila, Philippines; Australian Embassy, Jakarta, Indonesia
Interim Space, Jan Nelson and Stephen Bush, Smith Street Post Office, Collingwood
Jan Nelson and Stephen Bush, a collaborative project, Temple Studio, Melbourne
1992 Intimate Objects, Realities Gallery, Melbourne
Skin, Contemporary Art Gallery of South Australia, Adelaide
Inherited Absolute, Australian Centre for Contemporary Art, Melbourne
Works on Paper- by Contemporary Australian Artists, RMIT Gallery, Melbourne
1991 Contemporary Landscapes, Deakin University, Melbourne
Recent Acquisitions, Museum of Contemporary Art, Brisbane
1990 Group show, Realities Gallery, Melbourne
1989 re: recreation/Re-creation, Monash University Gallery, Melbourne
Recent Acquisitions, Monash University Gallery, Melbourne
1988 A Celebration, Realities Gallery, Melbourne
Philip Morris Collection, Australian National Gallery, Canberra
1987 Moët & Chandon Australian Art Travelling Fellowship, Australia
1986 Slouching Towards Bethlehem, 200 Gertrude Street, Fitzroy
Shipwrecked, 200 Gertrude Street, Fitzroy
Wynne Prize, Art Gallery of New South Wales, Sydney
Backlash: Australian Drawing Revival 1976 – 1986, National Gallery of Victoria, Melbourne
The Gothic: Perversity and its Pleasure, Institute of Modern Art, Brisbane, 200 Gertrude Street, Melbourne; Chameleon Gallery, Hobart
Quiddity, 200 Gertrude Street, Melbourne; Contemporary Art Centre, Adelaide
Young Australians, National Gallery of Victoria, Melbourne and touring
What is this thing called Science? University Gallery, University of Melbourne
1985 Australian Perspecta '85, Art Gallery of New South Wales, Sydney
Group Show, Gertrude Street Artists Spaces, Melbourne
1983 Graduate Show, Victorian College of the Arts, Melbourne
SELECTED COLLECTIONS
Museum Würth, La Rioja, Spain
Rockhampton Art gallery, Qld
Distrito Cu4tro Gallery, Madrid, Spain
Bendigo Art Gallery, Victoria
Art Gallery of NSW, Sydney, NS
National Gallery of Australia, Canberra
National Gallery of Victoria, Melbourne
Art Gallery of Western Australia, Perth
Queensland Art Gallery, Queensland
Museum of Contemporary Art, Sydney
Monash University Collection, Melbourne
Ian Potter Museum, Melbourne
Victorian College of the Arts Collection, Melbourne
Monash Medical Centre Collection, Melbourne
ACTU Collection, Melbourne
Mini & Sam Smorgon Collection, Melbourne
Camden Collection, Melbourne
Coopers & Lybrand, Melbourne
IXL Collection, Australia
Shell Collection, Australia
Savoy Hotel, Sydney, Australia
Sussan Corporation (Aust), Melbourne
Budget Art Collection, Melbourne
Wesfarmers Collection, Perth
BHP Biliton, Australia
Goldman Sachs JB Were
McClelland Gallery, Langwarrin, Vic
Heide Museum, Melbourne, Aus
Ipswich Regional Gallery, Qld, Aus
Newcastle Art Gallery
AWARDS / GRANTS & RESIDENCIES
2011 Who’s Who of Australian Women
2009 Recipient, Arthur Guy Art Prize, Bendigo
2006 Australia Council Development Grant
2004 John McCaughey Memorial Art Prize
2003 Australia Council, Development Grant
2002 Arts Victoria, International Export & Touring Grant
Arts Victoria, Arts Development Grant
2000 Visible Art Foundation Commission, Republic Tower
1996 Australia Council, Development Grant
1993 Tim Mann Commission
1990 Australia Council, Creative Development Grant
1987 Australia Council, Half Standard Grant
1986 Victorian Ministry for the Arts Painting Grant
Artist in Residence, Victorian College of the Arts
1984 Australia Council Project Grant
1983 Axiom Award for painting
Australia Council Overseas Studio Residency - Vence, France
Potter Foundation Grant, Melbourne
Sir Russell Drysdale Drawing Prize
SELECTED BIBLIOGRAPHY
2023. Melb Now, Catalogue,2023, National Gallery of Victoria, Melbourne, Australia
2022. 'Sport, Fun & Games’, Exhibition Catalogue, Kunsthalle Würth, Museum Würth, Kunzelsau, Germany 2021-2023.
Recent Acquisitions, Heide Museum of Modern Art, Melb
2020-21 Know my Name, Art on View magazine, National Gallery of Australia
2018 Hyper Real, Catalogue, National Gallery of Australia, Canberra
Let’s Play: Art of Our Time, Bunji Place, City of Casey, Melbourne
Gold Award, Rockhampton Art Gallery, Rockhampton, Qld
Analogue Art in A Digital World, Catalogue, RMIT Gallery, RMIT University, Melb
Obsession: Devil in the Detail, Mornington Peninsula Regional Gallery, Victoria
2017 Hyper Real, Catalogue, National Gallery of Australia, Canberra
Every Brilliant Eye: Australian Art of the 1990s’, National Gallery of Victoria, Melbourne
Who’s Who of Australian Artists
Sweet Celebration. Sugar Spin. article. Sebastian Smee, The Monthly, March
2016 Artlines 4–2016 | The GOMA Turns 10: issue 4, Nov, Dec, Jan
Painting More Painting, Australian Centre for Contemporary Art catalogue
MCA Collection Handbook. MCA Sydney. Natasha Bullock. 2016
Art Detective, Michelle Stockley. Nelson. Cengage Learning. 3E.
2015 Australian Art, A History. Sasha Grishin, Miegunyah Press
The Art life/Always Busy Dying/ ABC2, 3rd May 2015
Sympathy For the Devil #1, Advertisement, Anna Schwartz Gallery. The Saturday Paper Oct 3
2014 Close encounters with Hyperreality. Michael Desmond: Art Monthly, summer2014/2015 number 276. Cover and article.
In the Flesh: Penelope Grist: Portrait, Magazine of Australian and International portraiture. Spring/Summer 2014.
WTG (Lucy) 2010: Postcard. National Portrait Gallery Canberra
Sally Pryor.The Canberra Times, Panorama. In the Flesh. A new show describes what it is to be human. Nov 2014
Andrew Frost. The Guardian. In the Flesh review- startling realism in a journey from intimacy to acceptance. 18th Dec 2014.
Sarah Sweet: Art Almanac In the Flesh, Dec 2014.
2013 Mix Tape 1980: Appropriation, Subculture, Critical Style, Catalogue, National Gallery of Victoria
2011 Who’s Who of Australian Women, 2011, published by crown content
Networks, Monash University Museum of Art, catalogue, March.
Art & Australia, promotional image,vol 48 no4.
Gallery, NGV publication, July/Aug. members acquisitions. pg66
2010 Slow Burn, A Century of Australian Women from a private collection. National Trust, S.H. Ervin Gallery
2008 Optimism catalogue, Queensland Museum of Modern Art
Current, Contemporary Art of Australia and NewZealand, An Art & Australia publication
The John McCaughey Memorial Art Prize. 50 years. Catalogue, Feb 08. National Gallery of Victoria.
2007 Andrew Frost, presenter. The Art Life, ABC TV, July 2007
Charles Green, Critics Pick, Artforum web site: www.artforum.com. Nov
2006 Contemporary Collection, Art Gallery of NSW
Charlotte Mullins, Painting People, the state of the art, Thames and Hudson (intro pg16)
2005 Nicola Harvey, The art of Outsourcing, Artlink Magazine. Volume 25. No1.
Charlotte Day, A Short Ride in a Fast Machine, Gertrude Contemporary Art Spaces 1985 – 2005
2004 Sophie O Brien, Nelson/Post, Broadsheet volume 33 no 4. Dec 04 – Feb 05,
Jan Nelson/Lisa May Post, de Volkskrant Newspaper, The Netherlands, 16th Sept 2004
Peter Hill, The long Tango, The Sydney Morning Herald.Weekend Edition, Oct 16-17, 2004
Jan Nelson/ Liza May Post, catalogue, The Museum of Contemporary Art, Sydney, 2004
2004, catalogue, The Ian Potter Centre, NGV Publication. Melbourne. 2004
Swoon, catalogue. Australian Centre for Contemporary Art, Melbourne. 2004
2003 Roger Benjamin, Naomi Cass, Ashley Crawford, Hannah Fink, Chris McAuliffe, Lara Travis,
See Here Now, Vizard Foundation Collection of the 1990s, The Ian Potter Museum of Art, Melbourne University, Thames and Hudson
Jason Smith, Jan Nelson’s International behaviour, ABV 42. The Annual Journal of the National Gallery of Victoria, Melbourne
Trevor Smith & Ihor Holubizky, “Australia at the XXV Bienal de Sao Paulo”, Eyeline, No 50 Summer
Robert Cook, ‘Jan Nelson’, Frieze: Contemporary Art & Culture, Issue 76, p. 115
Sarah Millar, Contemporary (art magazine), Issue 51, p. 24
Robert Cook, ‘Dazzling Display of Skill’, The Western Australian, April 12, p. 12
2002 David Cross, Walking in Tall Grass, XXV Bienal de São Paulo
Hug, A, Smith, T, Iconografias Metropolitanas, Cidades, XXV Bienal De São Paulo, Brazil
Fieldwork: Australian Contemporary Art 1968-2002, The Ian Potter Museum of Australian Art at Federation Square, Melbourne
Maristher Motta Bello, Art for 6th graders, Elementary School, published by Gráfica e Editora Posigraf, Brazil
Rebecca Lancashire, ‘Painting of the Week No. 24, International Behaviour, Jan Nelson’, The Age: Arts, September, p. 3
2001 Gabriella Coslovich, 'Nelson Leaps at Zappo Space', The Age, 22 March
Elizabeth Gower & Stuart Koop, The Retrieved Object, Linden Art Gallery, Melbourne
1999 Linda Micheals, Word, Museum of Contemporary Art, Sydney
Evelyn Juers, 'Lip Think an Essay on Art in Text', Art Monthly, No 126
1998 David Cross, Studio practice, Experimental Art Foundation, Adelaide & Centre for Contemporary Photography, Melbourne
Jonathan Luker, So Far, Sync, Grey Area Space, Melbourne
Anna Clabburn, 'Studio Practice Pt 1 & 2', The Age, Melbourne, 11 March
Robyn Mc Kenzie, 'Creative Insights' The Herald Sun, Melbourne, 30 March
1997 David Cross, Studio Practice, Experimental Art Foundation, Adelaide; Centre for Contemporary Photography, Melbourne
‘Women We Love’ (Dave Graney /Jan Nelson) International Women's Day’, The Sydney Morning Herald, Metro March 8-14
1996 Jonathon Holmes, Tangibility, University of Tasmania, Hobart
1995 David Cross, Incident Robert Lindsay Gallery, Melbourne
Judy Annear, Bruce James, Sarah Miller, Perspecta 95, Art Gallery of New South Wales, Sydney
Trevor Smith, South Face, Canberra Contemporary Art Space
Juliana Engberg, 'The Lovers', Museum of Modern Art at Heide, Melbourne
Bruce James, 'Perspecta Exhibition - A Hybrid Exploration', The Age, Wednesday, 8 February
Elwyn Lynn, 'Framed Witnesses Defend Perspecta’, The Australian, Sydney, 10 February
'Time Again to Contemplate Our Latest Perspectives', The Sydney Morning Herald, 3 February
Juliana Engberg, 'Jan Nelson, White Noise', Art + Text, May
Jenny McFarlane, 'South Face', Eyeline 29, Summer
1994 May Lam, Kevin Murray, Juliana Engberg, Jan Nelson, Australian Centre for Contemporary Art, Melbourne
Juliana Engberg, Robyn McKenzie, Kenneth Wach and Anne Marsh, The Aberrant Object: Woman, Dada and Surrealism, Museum of Modern Art at Heide, Melbourne
David O'Halloran, 'Artists Thinking About Science', Australian Network for Art & Technology
Linda Williams, 'The Aberrant Object', Art +Text, No.48, Sydney
Barbara Creed, 'The Aberrant Object', Art Monthly, No.69 May
Ross Moore, 'Decking Out Identities', Art Monthly, No. 71, July
Natalie King, 'L'Amour Fou: The Aberrant Object', Broadsheet, Vol.23, No.2
Tom Nicholson, 'Window, The Aberrant Object', Farrago, University of Melbourne, Vol.14, April/May
Anna Clabburn, 'Subversive Giggles', Storm, April
Christopher Heathcote, The Age, Melbourne, June
1993 Confess and Conceal, Art Gallery of Western Australia, Perth
1992 Janni Steffenson, Skin, Contemporary Art Gallery of South Australia, Adelaide
Elizabeth Gertsakis, Inherited Absolute, Australia Centre of Contemporary Art, Melbourne
Merryn Gates, Domino, Collaborations Between Artists, Ian Potter Gallery, Melbourne
Robert Rooney, 'The Australian - The Inherited Absolute', The Australian, Sydney
Sue Cramer, The Age, Melbourne
1990 Robert Rooney, ART Review, The Australian, Melbourne
Roger Benjamin, ‘re: creation/Recreation', Art + Text, Sydney
1991 Stuart Koop, Contemporary Landscapes, Deakin University Gallery, Geelong
Robert Rooney, 'Romantic scenario for hypnotic effect', The Australian, Sydney
1989 Brenda Ludeman, Jan Nelson, The Long Century, catalogue
Merryn Gates, 'recreation/Re:creation', Monash University Gallery, Melbourne
Jenepher Duncan, 'An art of opposition', Tension, Melbourne
Robert Rooney, 'Hippie days are here’, The Australian, Sydney
Ronald Millar, 'Taking in the poor of the self-portrait', The Herald, Melbourne
Brenda Ludeman, 'Loss and Faith', Agenda, Melbourne
Jan Blensdorf, ‘Galleries’, The Age, Melbourne
1988 'Loti and Victor Smorgon Collection of Contemporary Australian Art', Australian Centre of Contemporary Art, Melbourne
'A New Generation', 1983-1988, the Philip Morris Collection, Australian National Gallery, Canberra
1987 Promotional Postcard, Victorian Ministry for the Arts, Melbourne
Nadine Amadio, The Moët & Chandon Touring Exhibition, catalogue, Sydney
Robert Lindsay, ‘Young Australians', The National Gallery of Victoria, Melbourne
Linda Van Nunan, Voyage of Discovery', Dallas, Texas, USA
Louise Neri, 'Quiddity', 200 Gertrude Street, Fitzroy; Contemporary Art Gallery of South Australia
Naomi Cass, 'What is this thing called Science?', University of Melbourne Gallery
Ted Gott, 'Backlash', National Gallery of Victoria, Melbourne
Memory Holloway, 'Shipwrecked', Art in Australia, Sydney, Winter edition
Caroline Brothers, Interview Jan Nelson, North Melbourne Times, Melbourne
Gary Catalano, 'Ghostly Images of the Artists Psyche', The Age, Melbourne
Robert Rooney, The Australian, Sydney
Ronald Millar, The Herald, Melbourne
James Button, 'Art Makes Science its subject’, The Age, Melbourne
Gary Catalano, 'Science is not alien to art', The Age, Melbourne
Robert Rooney, ‘Marvelling at the thing called Science', The Australian, Sydney
1986 Heather Kennedy, 'It all comes together for Jan Nelson', The Age, Melbourne
'Calendar views on a grand scale', The Age, Melbourne
Janina Green, 'An Air of Thunder and Lightning’, Melbourne Times, Melbourne
Robert Rooney, 'Wandering through Vistas and Lightening', The Australian, Sydney
Ronald Millar, 'Humanity adrift in Cliche', The Herald, Melbourne
Andrew Saw, 'New Wave of Champagne, Antipodean Art', The Age, Melbourne
Geoff Lowe, 'Slouching Towards Bethlehem', 200 Gertrude Street, Melbourne
Robyn McKenzie, 'The Gothic Perversity and its Pleasure", 200 Gertrude Street Gallery, Institute of Modern Art, Brisbane; Chameleon Gallery, Tasmania
Memory Holloway, 'Shipwrecked', 200 Gertrude Street Gallery, Melbourne
1985 Australian Perspecta '85 - Art Gallery of New South Wales, Sydney
Elwyn Lynn, 'Favourites, Censors and other Monsters', The Australian, Sydney
1984 Ronald Millar, 'Machines for Growing Things', The Herald, Melbourne
Robert Rooney, 'Nelson Works the Plank', The Australian
1983 Memory Holloway, 'Long awaited and much needed "Pop" display', The Age, Melbourne